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The three Kitchen Gods ride one giant glowing red-gold carp bursting up out of a fiery hearth into the night sky.

Vietnamese Legend · 3 min read

The Kitchen Gods

Táo Quân

Every winter, millions of Vietnamese families set live carp free before Lunar New Year. The fish are horses — for three gods who live in the kitchen. Behind them is a tragic love story: a husband, a wife and a second husband, bound together by fire.

At a misty winter dawn, a woman in a warm coat kneels at the edge of a lake and tips a bowl so three bright red carp slip into the water.

Chapter

Fish for the Gods

Every year, about a week before Lunar New Year, millions of Vietnamese families carry live carp to rivers and lakes — and set them free.

The three Kitchen Gods ride three huge glowing red-gold carp up through the sky into golden clouds, holding on to their hats.

The fish aren’t for dinner. They are horses — for three gods who live in every kitchen, to ride up to Heaven. And their story begins with a tragedy.

At dusk, Trong Cao and Thi Nhi sit apart on the doorstep of their thatched cottage, an empty cradle in the corner behind them.

Chapter

A Marriage Breaks

Long ago, there lived a husband and wife named Trong Cao and Thi Nhi. They had been married for years, but no child ever came. That sorrow grew and grew, until it turned into quarrels.

By the hearth at night, Trong Cao raises his hand in anger as Thi Nhi turns her face away in shock.

One day, in a fit of anger, Trong Cao struck his wife.

At dawn on a misty village road, Thi Nhi walks away with a small cloth bundle, tears on her face, the cottage small behind her.

The next morning, Thi Nhi left. She walked until the village was far behind her, and in time she married another man — a hunter named Pham Lang.

At a cottage on the edge of a forest, Pham Lang comes home with a bow and a rabbit, and Thi Nhi greets him at the door with a quiet smile.

Pham Lang was gentle, and he loved her dearly. Her new life was peaceful. But sometimes she still stood looking down the long road, saying nothing.

Trong Cao, thin and in rags, wanders alone down a long dusty road through the changing seasons, holding a walking stick and a begging bowl.

Chapter

The Beggar at the Door

As for Trong Cao — only once she was gone did he understand what he had lost. He left home to find her. He searched through the seasons, until his money ran out, his clothes turned to rags, and he had to beg to stay alive.

At the door of Pham Lang's cottage, the ragged Trong Cao holds out his bowl, and Thi Nhi freezes in the doorway, a pot in her hands.

One day he stopped at a house to ask for food. The woman who opened the door froze. It was Thi Nhi.

In the cottage yard at sunset, Thi Nhi kneels beside Trong Cao and gives him a bowl of rice, both of them crying quietly.

She still pitied the man she had once married. She brought him into the yard and cooked him a meal. The two of them looked at each other, and neither could speak.

At dusk, Thi Nhi hurries to hide Trong Cao inside a big round haystack, glancing toward the gate where Pham Lang is coming home.

Chapter

The Fire

Then they heard Pham Lang coming home. Afraid her husband would misunderstand, Thi Nhi quickly hid Trong Cao inside the haystack behind the house.

At night, Pham Lang crouches and holds a torch to the bottom of the haystack, the first flames climbing.

That night, Pham Lang went out to burn the haystack, to make ash for his fields. He had no idea a man was lying inside.

The haystack blazes like a bonfire under a deep blue sky; Thi Nhi runs toward the flames as Pham Lang reaches after her.

When the flames leapt up, Thi Nhi knew what she had done. Heartbroken, she threw herself into the fire. Pham Lang, who loved her, leapt in after her.

By morning, only ashes were left. Three people — one full of regret, one full of pity, one faithful to the end. But their story did not end there.

In a cloud palace, the Jade Emperor looks down with compassion at the three glowing souls of Trong Cao, Thi Nhi and Pham Lang, kneeling before his throne.

Chapter

The Three Stones

In Heaven, the Jade Emperor, ruler of all the gods, was moved by the hearts of all three. He decided they should never be parted again.

A clay pot sits on three rounded hearth stones over a crackling fire, three faint faces glowing in the stones.

He turned them into the three stones of the kitchen hearth — the stones that hold up the cooking pot. Take one away, and the pot falls. From then on they were the Táo Quân, the Kitchen Gods, guardians of every household.

A family cooks and laughs around the hearth while the three Kitchen Gods, glowing and invisible, sit on the stove shelf watching, one of them writing in a little book.

People say the Kitchen Gods sit in the kitchen all year, watching everything that happens in the house: who works hard and who is lazy, who is kind, and who has been quarrelling.

The three Kitchen Gods ride giant red-gold carp up a towering waterfall into the clouds, toward a shining gate of Heaven.

Chapter

The Carp Ride

And every year, on the twenty-third day of the twelfth lunar month, the Kitchen Gods ride their carp up to Heaven.

In the Heavenly court, the three Kitchen Gods kneel before the Jade Emperor and read him a long scroll, one of them gesturing in comic exasperation.

At the Heavenly court they report to the Jade Emperor everything the family did that year, the good and the bad. They come home only on New Year’s Eve.

A family altar set for the Kitchen Gods: three paper hats with paper robes and boots, fruit, a square rice cake, incense, and a bowl of water with live red carp.

Chapter

Sending Them Off

The tale has many versions, but the custom is alive today. On the twenty-third of the twelfth month, families clean their altars and lay out offerings to send the Kitchen Gods on their way: three paper hats — two for the men, one for the woman — with paper robes and boots. In the old folk paintings, the Kitchen God wears a hat and a robe… and no trousers.

Everyone hopes the gods will report only good things. So the offerings had better be generous.

After the offering, the carp are released into rivers and lakes, so the gods have something to ride. On that morning, every lakeshore is crowded. And Vietnamese folklore says a carp that leaps the great waterfall becomes a dragon — so that little fish might be a dragon in the making.

On New Year's Eve in Hanoi, fireworks burst over Hoan Kiem Lake and the red The Huc bridge as a family in warm coats looks up, peach blossoms around them.

Sending off the Kitchen Gods is when Tet truly begins. For about twenty years, New Year’s Eve in Vietnam was also the night of a TV comedy called Táo Quân, in which the Kitchen Gods reported the whole country’s year to Heaven.

A story that began with a tragic fire became the warm fire in every Vietnamese kitchen. If the gods in your kitchen went up to Heaven this year, what would they say?